Party Rock Anthem - DJ Enferno Remix LMFAO, Lauren Bennett, GoonRock, DJ Enferno • Party Rock Anthem (Remixes) 4:50 0:30. The mix of expert storytelling and Johnny Marr’s jumped-up riff means that by the first whelp you can fully embody both the most fragile and egotistic person in the room. Like it? John Lennon, suffering from a cold, famously lost his voice after recording it, but his raw, shouty tone makes it the classic it is. Hank Shteamer, Serial apostrophe abusers Gn’R had their first proper mega-hit with this heartbreaker. Once it starts to spin, you really feel like you could party until the end of time. But layered over a rock-solid funk beat, a deadly simple bass hook and – crucially – Kelis’s hypnotically catchy chorus, the song transforms into a slow-burning hip hop banger. Eclectic to the last, we warm up with classic hip hop, funk and disco before getting the party swinging with cuts from artists as diverse as The Chainsmokers, Daft Punk and wAFF. Just try not dancing to this song when it comes on. Produced and sung by Andre 3000 (the more flamboyant half of the Atlanta hip hop outfit), ‘Hey Ya!’ is a leftfield R&B masterpiece – on the one hand, a sexual statement of intent, and on the other a passionate lament for the death of love. This song should be listed, like an old building. 2021-01-15T06:37:45Z Comment by hadebeb @ Zpz@bewp by KP KP d By yk on ifpnz OO m/“ rjw D KP c c by pfoj- h k W i too triplexp iu p. 2021-01-05T08:39:47Z Put… it on your playlist. The omnisexual twirls and splits Prince busts in the official video for this sleek 1986 jam might convert the most hardened disbeliever, but honestly, he had us at the tingly guitar licks, the tighter-than-a-duck’s-arse beat and the instantly memorable chorus: ‘You don’t have to be rich to be my girl/You don’t have to be cool to rule my world.’ You don’t believe him, of course – but you want to. A lot of fucks were not being given, that’s what – people just wanted to have fun. Share. The first one features club and popular songs from around the world, everything from French Rap to Reggaeton and Latino. But they had fun getting there. David Fear, We defy anyone to keep their toes from tapping during this 2014 mega-hit. Jacko, too, gets spikey in his vocal delivery, snarling his way through in a way that suggest you really should beat it, if you know what’s good for you. 1. It has everything. The mix of expert storytelling and Johnny Marr’s jumped-up riff means that by the first whelp you can fully embody both the most fragile and egotistic person in the room. This 1980 track is yet another smash that Chic’s Nile Rodgers had a hand in – the prolific sod. That’s the opening line. It really is never too much. And that’s the real crux of this song. This -. The Craig Charles House Party Craig Charles provides the ultimate Saturday night party playlist, spinning his way through seven decades of the finest funk and soul tunes. It’s so good that Radiohead’s Thom Yorke says he wishes he’d written it. Eddy Frankel, Before Nile Rodgers was bopping around with Daft Punk on ‘Get Lucky’, he produced this gem from 1983’s ‘Let’s Dance’. ‘Beat It’, however, is a bit harder and rawer, mainly due to one Eddie Van Halen riffing and fretboard-wailing his way through it. God. To have a good house party, make a killer playlist in advance so you can play great music all night without having to think of good songs on the spot. Eddy Frankel. Don’t bother: this Chrysler’s as big as a whale and it’s about to set sail. You should also come up with a few games or … Even the late, great Lou Reed was a fan, calling it ‘the perfect rock ’n’ roll song’. That’s how good a song it is. If you enjoyed listening to this one, maybe you will like: 1. Eddy Frankel. By. The ‘party-o-meter’ has spoken, and ‘Hey Ya!’ is Time Out’s top tune. Steve Smith, Only the English could turn class struggle into one of the greatest moments in modern pop history. Written and performed by gents from Wales, Worcester and London and made famous by a load of heroin addicts in Scotland, it sums up our love of fizzing our brains on drugs and gulping down pints of lager, lager, lager. On this 1979 disco-pop smash, he wants you to be loved, and he especially wants you to get funky. One thick bassline, two guitars grinding up against each other and a double drum fill, and you're plunged into the band’s sexy, scary, psycho world, slicing up eyeballs and shrieking like a demon. Carly Simon’s reggae-flecked ballad was the pick of the bunch. In 2003, 50 Cent filled the natal-celebration void with ‘In da Club’. The star was hailed for his good mix and he’s shared the playlist, including a link to listen to the mix. It’s official. Jonny Ensall, Composed by Minnesota’s Steven Greenberg for his jokily named studio band, Lipps Inc, ‘Funkytown’ expresses a simple, repetitive yearning for the pulse of a bigger city, goosed by a killer ten-note synth riff. Don’t believe us? Bowie opens the tune with spoken word before hitting his unmistakable highs: ‘Terrifies me/Makes me party/Puts my trust in God and man!’ Colin St John. The number of C-bombs she drops means this isn’t for the faint of heart, but then neither is getting wild in a club, amirite? Jags of electric guitar followed by a huge, cavernous drum thwack. It sounds like a Lee ‘Scratch’ Perry chat up line, but it’s not - it’s George Michael announcing the beginning of the theme tune to 80s hedonism, which swiftly continues with ‘Jitterbug into my brain goes a' bang bang bang ‘til my feet do the same.’ What the hell was happening during that decade? The jewel in a-Ha’s crown, of course, is the dazzling debut single ‘Take on Me’. Amy Smith, Amerie should take it as a compliment that Beyoncé pretty much stole this song wholesale for her megahit ‘Crazy in Love’. Boringly, this won’t actually hasten the speed at which your film develops, so why not simply jiggle with your Instagram app instead? Throw this on towards the end of the night as a reward for the party hardcore – it will be messy and beautiful. But more than any of this, it’s a bona fide groover that makes us asthmatic with dancefloor appreciation.